Leg Locks, attacks, submissions, knee bars, foot locks and other unpleasant moves 

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FIGHTER INTERVIEWS:

This month’s interview is with Scott Sonnon.  Mr. Sonnon traveled throughout the globe researching methods of Performance Enhancement, devoting his life to the study of Combat Psychophysiology and Sports Biomechanics. He became an International Sambo Champion, USA National Sambo Team Coach, and Honorable Master of Sport in Sambo, in order to win the respect of the Russian Special Forces and Olympic Trainers.  Currently he conducts training for law enforcement and military sector, opting out of the civilian.  Force-Responsive Subject-Control is the system that I created to address the specific needs of the professionally armed community, based upon my training with special purpose police units in CIS countries.

Staff:  Mr. Shannon.  What the heck are ARTHROKINETICST Biomechanical Joint Manipulation, GRAPPLERS TOOLBOXT Solo Grappling Drills, SHOCK-AbilityT Biomechanical Impact Training, and IOUFT Biomechanical Takedown Training and how can they help our members.

Sonnon:  Arthrokinetics is the "science of submission fighting."  AK teaches the individual how to think for himself, how to understand the body and as a result gain the ability to create joint holds, rather than memorize them from some "master" or "guru."  AK is not just a video "anatomy textbook" that people would think.  I don't know many college professors that could walk off the mat victorious with a university education.  AK is a systematic bridge between anatomy/physiology and practical application of submission fighting that I created based upon my experience as US Nat'l Sambo Coach and an international calibre player.

Grapplers Toolbox is a system of specialized exercises specific to the grappling game.  The principle goes S.A.I.D. - Specific Adaptation to Imposed Demands.  If you're doing Yoga, Gimnastica Natural, Tai Chi, Feldenkrais, Strength Conditioning, or just generic Bodyweight Calisthenics, you may have some "trickle over" performance benefits, but firstly you also have trickle over performance drawbacks.  More importantly, in the former Soviet Union, since Sambo was the national sport, a specialized system of exercise to enhance performance in grappling was devised.  Grapplers Toolbox is a video encyclopedia of these exercises, which I created, and which won a place as the first martial art video to be inducted into the International Martial Arts Hall of Fame due to its successes.  Fierce fighters who have adopted the GTB exercises include Elvis Sinosic, Igor Zinoviev, "Obake", the fitness guru Pavel Tsatsouline, former USA Judo coach Neil Ohlenkamp.

Shock-Ability is a training program for how to absorb, evade and administer force in hand to hand fighting.  It's NOT eating crosses, slipping jabs, and throwing hooks.  It's THE way of learning how to capitalize on an opponent's rhythm and aggressiveness.  Its received endorsements from even the USA National Karate Coach, Tokey Hill.

IOUF is the standing version of AK - it's a systematic approach to understanding takedowns and throws.  Yes, you can go learn Kodakan's definite throwing techniques.  Yes, you can go learn freestyle wrestling takedown syllabus.  OR you can learn IOUF Biomechanical Takedowns, and be able to create any technique needed on demand.  It's that simple.  Unfortunately, the "martial art industry" is still steeped in what Bruce Lee called the "classical mess" - even the current MMA/NHB community still uses obsolete training methods, in particular the concept of "a technique."  IOUF like the rest of my resources teach you how to throw away the concept of "techniques" and emancipate yourself to self-mastery.  Unfortunately, people would much rather pay tens of thousands of dollars for some "wizard" to bestow upon them the wisdom of the ancients (now called the "wisdom of the street" or the "wisdom of the octagon.")  People need to take authority for themselves and their training.  My resources were created to help unlock those shackles on performance.

Staff:  Scott I have read your website and after your answer I am starting to understand your systems.  Most people, even myself, have put the fight game into two camps.... physical and mental.  Your system seems to come up with a scientific way of combining.  Is that correct.

Sonnon: Very correct.  My system is a deliberately integrated system of:  the Morale, the Emotional, the Mental, and the Physical.


Staff:  Well even after us that discussion.  Give my members some concrete techniques or drills that you believe will help them with leg locks.

Sonnon:

1.  One of the best leg manipulation drills one can do is to attempt to activate submission while the opponent remains standing (and the applying athlete is on the ground.)  This removes the benefit of leverage gained from gravity.  Precision application results.

2.  Timed drills - the athlete turns to find his opponent in a surprise position.  He has 5 seconds to find a concession hold from the whistle blow.  This inhibits the conscious mind competing for physical performance.

3.  Dogpile drills - the entire team is "scrumming" in a "dogpile" on the mat.  When the whistle blows, the last athlete to effect a submission hold starts on the bottom.

4.  Swimming pool drills - in Russia we do this sometimes with breathing apparatus, and other times without.  Without apparatus, exhale before sinking to bottom with opponent.  Begin in "test of manhood" position (with each man in Achilles hold).  Go!  This works on relaxation, sensitivity, and best of all, removing all "contributory forces" such as gravity - to enhance precision.

I've got plenty more, but you only have so much bandwidth, and I don't want to scare some of your readers with some of the more... challenging drills.  :)

Staff:  It is funny but our website www.leglocks.com has received a tremendous amount of traffic and most of the people are concerned with leg lock defense.  They just seem to get freaked out about good leg lock guys attacking them.  What are some of your favorite leg lock defenses?

Sonnon:  As a "leg man" myself, I love when guys freak out.  The tension in the muscles creates a greater fulcrum for applying pressure.  So, first advice is to exhale and muscularly relax.  Submissions happen at the "Yield Point" in a joint, at the end of the "Elastic Region" - which means that the tighter your muscles become, the faster they head towards submission. 

Secondly, as you relax your muscles you can actually feel where the defenses can happen.  With tight muscles, you're blind.  Notice the difference between a talented grappler from any discipline or sport - he's always relaxed.

Here's a little specific hint for those of you getting caught in the Achilles, a high percentage attack.  Pull your toes back towards your shin, between his anterior deltoid and his trap, while simultaneously pushing your heel through.  Usually people try to pull or to push, both of which do not work, because you need to do both.

Staff:  What is something that you think is absolutely invaluable in training.

Sonnon:  When in a submission hold by an opponent, relax your face as you exhale (heck, you can even smile a little, but don't tell anyone I said that) - pretend that it does not scare you.  Act like it is nothing.  It increases the nervousness in your opponent, making him think he is not close to successful hold.  It takes practice to remain calm in pain.  In Russia we had submission holds applied to us and we were not allowed to even wince while the hold was taken just to the edge of injury, so we could understand the difference between pain, which is just information, and injury.  Without understanding the difference, you cannot act upon the intelligence you have just collected from the opponent.  You are blind to escapes because the "pain" overwhelms your mind.  You must practice this before trying to learn escapes, because it is the dog that guides the blind man.

Remember Dostoevsky, "Love your suffering." 

Fraternal,

Scott Sonnon

 

AS ALWAYS.........TRAIN HARD and NEVER QUIT

                                                                                                                A.J. Comparetto

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